Biography

Her scene record is wide. Girl/girl work runs through the soft and the explicit, boy/girl covers oral, vaginal and anal sex, and group scenes put her at the centre of configurations that used her size as the organising idea. She worked with the volume of a performer who was booked constantly: more than a hundred scenes across the run, a figure that only makes sense if the sets came back to back. The energy in those scenes is not the polished kind. It is quick, alert and aware of the camera, the work of someone who knew exactly how she photographed.

The run sits inside a specific era. When she started in 2003, American adult film was still a DVD business, shot on schedules that assumed a shelf and a cover. By the time she stepped back in 2014, streaming had rearranged the economics and scenes had grown shorter and more numerous. Her filmography touches both ends of that change, and it closes at the point where the old system was disappearing. This page collects the verified facts, the measurements, the years, the aliases and the scene types, in six languages, for readers who want the career set out plainly.